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With two volumes of his essays and reviews in print from the canonizing Library of America, you’d think the answer must be yes. And yet, to read Edmund Wilson today is to get the impression that he belongs to some lost epoch—a day further gone than the real distance that separates us from his style of writing. As a matter of history, his place is clear enough, I suppose. From the mid-1920s.
More of Wilson’s magazine essays and articles were brought together in book form in 1995 by Castronovo and Janet Groth in From the Uncollected Edmund Wilson. The 50 pieces in this collection, arranged chronologically, cover nearly 50 years, range over the course of Wilson’s life from his student days prior to World War I up to 1959.
Edmund Wilson is a master of literary criticism. He, with such a mighty pen, deep insight and artistic approach, reviews and criticizes the literary books and their authors of the 1930s and 40s, so that after reading his essays and reviews one can have a colorful picture of the book in dispute along with the authors biographical account and his political and social stand.
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The Edmund Wilson Papers were acquired by the Library through gift and purchase over a period of years. The bulk of the collection was acquired through purchases and gifts from Edmund Wilson, 1944-1968, and Elena Wilson, 1972-1979; purchases from Helen Miranda Wilson on the Eugene G. O'Neill Memorial Fund and the Ezra Pound Archive Fund, 1995-1997; and a gift of Helen Miranda Wilson, 2000.
Edmund Wilson (1895-1972) is widely regarded as the preeminent American man of letters of the twentieth century. Over his long career, he wrote for Vanity Fair, helped edit The New Republic, served as chief book critic for The New Yorker, and was a frequent contributor to The New York Review of Books.Wilson was the author of more than twenty books, including Axel’s Castle, Patriotic Gore.
The Devils and Canon Barham: Essays on Poets, Novelists and Monsters by Edmund Wilson Book condition: Very Good Book Description.
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Edmund Wilson. comes brilliantly to life in this wide-ranging collection of essays. Not only do we get acute explorations of Wilson's criticism but incisive pieces on his other writing.---George Core, editor, The Sewanee ReviewEdmund Wilson, who epitomized the man of letters for this century and who relished his role as the nation's leading literary curmudgeon and dictator, comes.
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The Devils and Canon Barham: Ten Essays on Poets, Novelists and Monsters by Wilson, Edmund. London: MacMillan London Limited, 1973. Hardcover with jacket in very good condition. Minor marks and edge-wear on jacket. Minor nick on rear lower edge. Hardcover spine ends are lightly bumped and worn. Page block is lightly marked. Pages are clean and text is clear throughout.
Edmund Wilson was the dominant American literary critic from the 1920s until his death in 1972, but he was also far more than that: a chronicler of his times, a historian of ideas, a probing observer of himself and of the society around him. Literary Essays and Reviews of the 1930s and 40s shows Wilson at the midpoint of his extraordinary career as critic and scholar, and includes in complete.
Patriotic Gore, collection of essays by Edmund Wilson, published in 1962. Subtitled Studies in the Literature of the American Civil War, the book contains 16 essays on contemporaries’ attitudes toward the Civil War, the effect it had on their lives, and the effects of the postwar Reconstruction.
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Edmund Wilson, an influential literary critic presented this psychological perspective in his 1939 essay “The Ambiguity of Henry James.” In the essay, Wilson carefully lays out a multitude of examples in which he sees signs of Freudian symbolism in the story; the Governess stands out as a “neurotic, sexually repressed woman whose hidden desires drive her mad” (Shmoop: Governess.